Note to reed-instrument musicians: before playing, take a close
look at your reeds. Because reeds are made from cane (a relative
of bamboo), each reed will differ slightly from the next, just as
each cane plant differs from the next. For this reason, test-play
your reeds, select your favorites, and keep them handy. It is important
to have several reeds prepared at any time, so that you will have
predictable ones ready. You should also experiment with different
reed strengths to find out which one works best with your mouthpiece
and is best suited to your embouchure. Reed strengths may vary greatly
from one manufacturer to another. Make sure it is shaped evenly
from side to side, check for consistent thickness, and select only
flat, non-warped reeds. The reed should appear symmetrical, with
either side of the center line a mirror image of the other. It should
fit exactly over the opening of your mouthpiece. The vamped (or
cut) area should be even.
Preparing a Reed
A woodwind instruments “voice box” begins
by air vibrating a porous cane reed, consisting of numerous hollow
tubes running from end to tip, comparable to taking a bunch of plastic
drinking straws, and gluing them together. Before you play any reed,
you must first moisten it. Many musicians simply wet their reeds
in their mouths. While this is popular, we recommend that you wet
your reeds in a small cup of warm water for two or three minutes,
until the tips appear flat and unwrinkled. This is because water
needs to fill the interior of these numerous hollow tubes from both
ends of the reed, thus filling them and allowing flexibility while
vibrating (bending) hundreds to thousands of times (cycles) per
second. Next, place the ligature on your mouthpiece. Carefully fit
the moistened reed underneath the ligature from the top. Align the
reed tip with the end of the mouthpiece. Tighten the ligature screws
so that pressure is evenly dispersed on the reed bark. Be careful
not to over-tighten or under-tighten the ligature screws. Simply
tighten them until the tension feels snug in your fingers.
Getting the Best Performance from a Reed
No two reeds play exactly alike but, by following
a few rules you can count on good consistency from reed to reed.
Remember, your reeds must be thoroughly moist before use. Uneven
moisture content can cause your reed to warp or wrinkle, prevent
it from properly sealing against your mouthpiece table, and even
cause squeaks. You can avoid these mishaps by soaking the reed in
warm water for a couple minutes. When you're finished playing, remove
the excess moistures. Rinse the reed thoroughly in water until clean,
and then wipe it dry. Finish by placing it in a “Reedgard”
to dry completely. Don't keep your reeds sealed in a plastic bag
- this causes mildew to form. Also, prolonged soaking over an hour
or two will make the reed too porous, changing its vibrating characteristics
and shortening its playing life.
As you place the reed between the mouthpiece and ligature, experiment
with the placement. Some reeds may respond best when placed even
with the tip, others slightly above or below the tip. Sometimes
a reed will speak more clearly when moved slightly to the left or
right. Fluctuation in humidity, barometric pressure, and temperature
greatly affect how each reed plays, and may explain why a reed responds
differently from day to day. As you learn, you will become aware
of how these changes affect a reed's performance.
Maintaining and Storing Reeds
During breaks in performance or rehearsal cover your mouthpiece
with its cap to keep your reed moist and prevent chipping or other
damage. Never store your reed on the mouthpiece inside the instrument
case. Any reed which is allowed to dry on the mouthpiece usually
warps, reducing its playing qualities. When you're finished playing,
loosen the ligature and remove your reed first before disassembling
the instrument. Again, the best way to prevent warping and chipping
is to store your reed in a flat, dry holder. After removing the
reed from the mouthpiece, gently replace the ligature and mouthpiece
cap. Forcing the cap too far down may cause a chip or crack in the
mouthpiece. Place the capped mouthpiece, ligature and
stored reed in your instrument case.